Project made using Maya, Substance Painter, Nuke, and Arnold rendering. As well as being the producer of my group, I was also tasked with Tracking, Lighting, Compositing, and some animation for this project.
Procedurally created and animated kinetic wooden automaton. Done using Houdini expression, vex, and other procedural practices. Rendered using Redshift.
Procedurally made apartment building done within' Houdini. There are top level parameters giving the artist complete control over the building including width, height, and depth.
This project was good compositing practice that had an array of challenges including 3D tracking, Matte Painting, GS Keying, and Color Correction. Assets provided by Peter Timberlake.
Procedurally made scene, resembling Ollivander’s Wand Shop from Harry Potter. Done using For-Each/Scatter variation, rand(), RBD simulations, and various textures. Rendered within Houdini Redshift Render Engine.
This was some good compositing practice for a SCAD Senior Thesis Film. It required heavy tracking, clean-plating, and color correction for each arcade machine.
Fully animated matte painting done within Nuke. Explored 3D sides of Nuke, projections, and volume rays. Assets provided by Florian Girardot.
Succulent plant shader practice. Textured/Rendered in Houdini. Shaders made entirely from rsOSL (Redshift Open Shading Language).
Side modeling project during class at SCAD. Completely modeled and textured Star Wars Speeder Bike. Modeled in Maya, textured in Substance Painter, rendered in Redshift.
Live action integration project done within Maya and Nuke, could you tell which was real and fake?
Fully modeled Russian Firetruck within Maya. This was my first “intro to Maya” class at SCAD. Textured in Adobe Substance Painter. Rendered in Arnold.
My first every attempt tackling Nuke. Assets guidance provided by Florian Girardot.
